Who Amy Crain Sternberg
What Georgian-style house
A good architect has the gift of X-ray vision, the innate ability to see through walls.
So when Amy Crain Sternberg, a third-generation architect, looked at a glorious but time-worn Georgian-style house in a leafy Wilmington neighborhood she could visualize not only the existing structure but what it could become—if only a few walls were rearranged.
“I thought it was a fabulous old house, a strong old house,” she recalls. “Because of my background, I was not deterred by the thought of doing renovations.”
Indeed, the property offered many pluses. It was constructed in 1917, an era when natural resources and craftsmanship were at their zenith. Stout walls are balanced with large windows.
“This house is filled with light,” Sternberg says. “There is not a single dark room in it.”
The facade is Flemish-bond brick, set in a distinctive pattern in which the headers are fired black to contrast with red brick runners. An intimate portico with a terra cotta floor is an open-air oasis in the city.
Inside, Sternberg was delighted to see the home’s original architectural details remained in place. An elegant staircase curves gracefully from the foyer to the third floor. The fireplace in the formal living room is framed with an Adams mantel, embellished with reeded columns and carvings of urns and swags.
Sternberg was captivated by the lovely arched moldings that surround expansive Palladian windows.
“It was years before I put up draperies,” she says. “I had to find something that wouldn’t cover the windows because I love them so much.”
Ultimately, she would design her own window treatments, pairing floor-length stationary panels on either side of each window in the dining room and living room, topped with a deep swag. She approached the task with an architect’s eye for detail, drawing meticulous renderings.
“My brother suggested I frame them,” she says.
When Sternberg and her husband, Craig, a doctor, bought their home in 2002 they were just starting life together. They were taking on a lot of house, more than 5,000 square feet, but were confident they would put that space to good use. He had two teenage daughters the Sternbergs hoped would spend lots of time with them. She expected frequent visits from her parents. And they planned to add to the family with a baby.
“If everything went as we hoped, we would need all that room,” she recalls.
Happily, life progressed according to plan, with the couple sharing their home with extended family. Seven years ago, they welcomed a son, Charlie.
But to make the house the home they envisioned, they needed to renovate it—a job they completed before they moved in. Sternberg did all the drawings, prepared a budget and served as her own general contractor.
“If you are going to buy a house and renovate it, you have to make certain you have a budget that covers the work you will have to do, as well as the purchase,” she advises. “If you can only afford the house, you will be living with small projects for years.”
At the time of the renovation, Sternberg was working at an architectural firm in Baltimore with her father, designing schools and houses of worship.
“I grew up in a very contemporary house, a round house,” she says. “I was very excited by the prospect of taking on a home that is more traditional, yet making it our own.”
The living room is a vibrant blend of classic—witness the grand piano and the twin sofas flanking the fireplace—and contemporary—a large, unframed canvas extolling the virtues of milk and the chrome swoosh of an Arco lamp, the funky, functional 1962 brainchild of Achille Castiglioni and Pier Giacomo Castiglioni, designers for the Italian lighting firm Flos.
A blown glass chandelier, passed down by Sternberg’s grandmother, sparkles over the dining room table.
“I love bringing together pieces from the family with the more contemporary art I’ve collected,” she says.
The grated elevator, a built-in thermometer and a servant’s buzzer no longer function. But Sternberg kept them because they are part of the home’s story and speak to its past.
“They are charming and unique,” she says.
A warren of three small rooms is now an expansive kitchen and gathering area, where Charlie and his mom can work on art projects and everybody can read or talk.
Opening up the space required the removal of a load-bearing wall. The architectural solution was a microlam beam, fabricated of laminated wood in micro-thin layers that bond to provide structural support.
To give the space a vintage feel, the Sternbergs installed a pressed-tin ceiling. But they also incorporated amenities appreciated in the 21st century, including granite countertops and stainless steel appliances.
Tumbled marble on the backsplash is rustic yet refined. Porcelain tile pavers on the floor have the look and feel of natural stone, without the high maintenance.
“The tiles are great for upkeep,” she says, “and they don’t show dirt.”
To transform a powder room into a work of art, Sternberg turned to Lisa Dadone-Weiner, an artist from Chadds Ford who created a floor-to-ceiling mosaic incorporating such elements as a dangly Howdy Doody earring, sea shells, Charlie’s cast handprint, Sternberg’s great-grandfather’s tie chains and a tiny vase that was a favor at her wedding.
“Amy wanted to use Charlie’s toys and little mementoes from her family,” Dadone-Weiner says. “She wanted the mosaic to be fun, but still meaningful to her personally.”
On the second story, Sternberg reconfigured the square footage to better suit a
modern family. She borrowed space from a long, narrow awkwardly configured bathroom to add a closet to a bedroom. She found a niche for a second-floor laundry room.
To create a true master suite, she gutted an outdated bath and repurposed the space as a walk-in closet. A fireplace flue jutted into the large bedroom. She disguised it by enclosing the flue with more storage, including specially outfitted shelving for shoes.
“I wanted to hide the flue; and I wanted additional closet space,” she says.
The bed is a sculpture of sorts, with metal tendrils wrapped around the four posters. The inspiration for the room’s soft, springy palette is a bedspread, sewn from silky, celadon fabric embroidered with flowers.
“I never thought I was a green person. Then I saw this beautiful fabric,” she recalls.
What was formerly an adjoining sitting room is now a sumptuous master bath, with twin vessel sinks crafted from stone and a jetted tub. The room is spacious and serene, with stone pavers in earthy beiges. There’s no need for a door on a shower that is reminiscent of a romantic grotto in the South Pacific.
“We were in Tahiti on our honeymoon and there was an open shower very much like this one,” she says.
On the third floor, there’s more space for guests and a playroom for Charlie. Sternberg retained the original cupboards in what is now a den to store toys and games.
“The built-ins were very high quality so it was an easy decision to keep them,” she says. “They work perfectly in this room, the place where my guys like to hang out, watch sports and play Wii.”
After completing the renovation, Sternberg began designing projects for other families, coming up with plans and solutions that help others to maximize their joy in their homes.
“Finding ways to make the most of space feels very natural to me,” she says. “If you need someone to show you the true potential in a home, call an architect.”